As soon as we stepped foot into the store, my heart swelled with bliss. We approach Books of Wonder, the childrenвЂ™s bookstore that Deborah Heiligman will be presenting Vincent and Theo in. On the way I link arms with my friend who I first asked to come to the city with me, chit chatting along the way. We donвЂ™t dare slow down, trying to keep pace with the crowd as we make our way about ten blocks down to 7 th Ave. This is where the rush of the city atmosphere takes over, and all of a sudden our leader friend (the girl with the most experience in the city and can navigate the avenues without a problem) is pushing us through the station, up the steps and into the hustle and bustle of the city streets. The train chugs along the railroads, we stop at about five other train stations before rolling into Penn Station.

Corny, I know but these things just come to me.

I felt like Harry Potter, funnily enough, as he sets his eyes on the Hogwarts Express in the Sorcerers Stone. Soon thereafter, the train pulls up and guess what? IT HAD TWO LEVELS! It was like those big, red, tour buses one would find in London, England only silver and much more intimidating. At this point I start to get fidgety, imagining what it would be like to ride the train. I drove us all to Convent Station, we bought our tickets after a step by step lesson from one of my friends, and we waited for the train. I had my own little gang of Phi Sigs to help me brave the abrasiveness that is New York, New York. Not only that but I asked three other close friends of mine and they all accepted my offer. I totally gave into the fear of being on my own, of figuring out my way to my destiny of storytelling. I asked one of my best friends, and sister from Phi Sigma Sigma, to accompany me to the city. вЂњCouldyoupleasecometothecitywithmeprettypleaseIвЂ™mafraidtogobymyself.вЂќ While they are in close proximity they are still separate and different. As the children leave their parents behind we see a long-shot where the Saiki family is on one side and the Nonomiya family is on the other. Even the placement of the actors embodies the conflict. This gesture symbolizes closeness between the two, even though the children are completely unaware of the situation between their families. Ryusei invites Keita to play with him and holds his hand. This encounter is the instance where the boys meet for the first time. In contrast to the previous clip this scene is bathed in brighter tones and optimistic colors of yellow and orange. This is his child, yet how little he knows about him! The director chooses a simple, commonplace act as a vehicle for expressing RyotaвЂ™s sense of marvel. In a midshot of Ryusei we follow RyotaвЂ™s gaze as he intently stares at his biological son observing his mannerisms while the boy drinks a soda. This scene represents the perfect world of two families has started to unravel, and the final outcome of the conflict remains uncertain.

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